Okay, so time for an update.
Firstly, my move went well and I am settling in to life in Cairns. It’s beautiful here, much moreso than I remember. A few doors down from me there is a creek with baby salt water crocodiles in it. I’m two streets from the beach and our yard is often inhabited by red clawed mud crabs and massive pink geckos are everywhere. I’ve set up a vegie garden now there are no brush tail possums and I’m growing herbs, vegetables and fruits.
Secondly, I have not been able to get on LJ until recently and even when I could get on LJ, I wasn’t getting any alerts when people replied or commented. I have fixed both of these problems and am back on LJ with force. Some of you will have noticed over the past couple of days, as I’ve been commenting on entries again.
Thirdly, I’d like to update you all on my current writing projects and where they stand:
‘I, Aratika’ my 90, 000 word fantasy novel is still signed with my agent, Wendy Barnard, and is under consideration at two publishing houses.
‘Lifesphere INC’ my 40, 000 word YA novel is still signed with my agent, Wendy Barnard, and is still being edited.
I finished my horror novel, which I hope to sell under a pen name, and it is being considered by two New York based literary agents.
Last month I started two new novels, which I am writing simultaneously at the moment, as I can’t decide which one to focus on. One is a steampunk political fantasy thingie with romance and royalty and guns and monkeys—the working title is ‘Boneshire’, however I’ve been thinking ‘All That Glitters’ is actually more fitting. Titles are really not a big concern for me in the first draft stage, though, to be honest.
The second is... ummm. Unmarketable? Is that a genre? Grin. Actually it’s not that bad. Apart from the fact it’s written in first person present tense, so maybe it IS that bad... The setting and characters are to die for though, so who knows. It’s currently called Babylon, but that will change as Babylon is much to overused for my taste. It’s dystopian, violent and darkly apathetic. The main character is uneducated and directionless, but none the less, determined to break the mould. It’s Kazuaki Kiriya’s Casshern meets China Mieville’s Perdido Street Station.
If I had any sense, I wouldn’t write this one, but this one is for me. It’s fun, it’s beautifully perverse. I’m okay if when I finish it, I can’t do anything with it. If nothing else, maybe writing it will stop me having dreams about the setting, because while it’s fun to visit, I can tell you right now you don’t want to live there.